Copyright extension and NAFTA

I wrote previously about James Bond entering the public domain in Canada.

I love the idea of work in the public domain – I’ve actually read a number of Ian Flemming’s books since they’ve come out of copyright, I’ve read more of George Orwell, and I’m currently reading a book about the history of rocket fuel.

In Canada, a work enters the public domain 50 years after the author’s death – the MPAA is looking to get this extended to 70 years according to a recent article by Michael Geist:

“The MPAA also wants Canada to extend the term of copyright to life of the author plus 70 years from the current standard found in the Berne Convention of life of the author plus 50 years. It argues that the “extension of the term of protection for copyrighted works has a direct benefit to the creators of these works, as well as consumers.” It does not mention that the creators are long since dead, that consumers face higher prices with term extension, and that the change would lock-down the Canadian public domain for two decades.”

The Government of Canada is soliciting views from Canadians by email at NAFTA-Consultations-ALENA@international.gc.ca or on the web.

Here’s what I submitted:

I am opposed to extending copyright to life + 70 years.

At 50 years protection is already ample – a creator’s children, and their children, already directly benefit from royalties collected from a copyrighted work.

The public benefits immensely from work entering the public domain:

  • Consider the works of Shakespeare and Moliere, and their derivative works, that make up so much of the language programs in Canadian schools and our pop culture
  • Consider how our culture benefits from derivative works, and how characters like Sherlock Holmes continue to be adapted for modern audiences
  • When my grandmother spoke of reading the works of Thornton Burgess when she was a child to my children (her great-grandchildren), I can load up their e-readers with all his books. At life+70, there is no way my children could do this with the authors of their generation, like J K Rowling, Melanie Watt, or Mo Willems.

Works locked up in copyright, particularly out of print, remain trapped and inaccessible.

Life +70 will not promote the creation of work – if anything, it will delay the creation of derivative works.

 

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